Description
Sigma 50-100mm f/1.8 DC HSM Art Lens (Canon)
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Sigma 50-100mm f/1.8 DC HSM Art Lens (Canon)
£1,089.00
Out of stock
Additional information
| Product code | CA44627 |
|---|---|
| Barcode | 0085126693541 |
| Weight | 0000000000003 |
| Brand | Sigma |
72 reviews for Sigma 50-100mm f/1.8 DC HSM Art Lens (Canon)
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Moran Marius Victor –
This lens looks and feels quality. Be warned its is a bit of a monster, and is a heavy weight. The image is sharp and beautiful. I have two Sigma art lenses (I also have the 18-35) now and opted for these as they are billed as professional quality glass for aps-c cameras. I’m very happy with my purchases.Buying the lenses you are kind of making a choice – its well noted people tend to graduate from aps-c to full frame and a lot of reviewers will suggest therefore spending money on full frame glass. This lens will sit on a full frame but suffers heavy vignetting wide open. So it is for the aps-c system. That said, I get amazing images now and I’m very happy with my choice.I have given it five stars and it is genuinely worthy of it however there is a very big downside that you need to know about if like me you have the 80d; It doesnt like the duel pixel auto focus and, in my case, needed a lot of adjustments with the sigma usb dock to get it working. But after spending the time, it gives wonderful images for stills and video work.
marc chillon –
If you can put aside this lens’ 3 problems, its brilliant. Those 3 problems are:1) Its extremely heavy. Not something you’ll want to carry around, and not something you’ll want to use handheld for any length of time.2) It has no image stabilisation. A great shame, and at these focal lengths you’ll wish you had it.3) It focus breaths quite significantly.However, the controls are buttery smooth, the f1.8 aperture is as good as a set of primes, and image quality is excellent.I use it on a tripod or monopod for low light video work, and for that its superb. But its not quite deserving of the universal adulation its little brother (the 18-35 f1.8 Art) gets.
patricia atlee –
The price is on par with other adaptors… it’s still very expensive for what it is… It’s some plastic and bits of electronics.But boy does it perform well for me.I have a Sony a6400 and a Sigma 18-35mm f/1.8 Art lens (Canon mount).It does the bridge perfectly. All (as far as I can tell) Sony native features work with the Sigma lens! Eye AF, Focus Peaking. It’s really great. It’s not very fast with the 18-35 but enough for my needs.I also use it with a Canon 50mm f/1.8 STM and it works great for stills. It does Eye AF/Face tracking which is my main concern. It doesn’t do AF in video however.Overall very happy because I have a perfect platform for my Sigma 18-35 f/1.8 Art lens.
Doc storm –
Heavy, breathy, bright and beautiful.
Jamzi –
I have the canon 24-105, 35 f2.0 IS and the 85mm all of them works with autofocus in photo mode. tracking works and eye detection. it doesn’t track quickly when a target is moving towards you, far from original lens. it does follow and it does it quicker then my old canon 5d mkii. you can use the slowest setting for burst shooting when target is moving then it keeps up. in general the focus is quick. I haven’t looked in to the percentage of how many that is good. I have a feeling that it is very high. I don’t have many unsharp photos. all in all it is much better focusing then my 5d mkii.For video the lenses doesn’t work so well with the features Sony cameras have . there is no autofocus but the IS works very well. and you can use focus peaking or the magnifyer.
Jazeckari Davis-Turner –
Je n’utilise que deux objectifs dans ma profession, celui-ci et le 18-35 de la même série chez Sigma. Celui-ci est juste magnifique pour les portraits.Ses inconvénients sont éventuellement les suivants : poids (c’est assez lourd, mais c’est normal, juste à le savoir), bruit (assez bruyant en AF-C), pas stabilisé (c’est dommage pour une utilisation forte en vidéo mais bon, c’est normal pour le prix aussi) et enfin pas tropicalisé, ce qui le rend surement fragile malgré le sentiment de solidité qu’il dégage.Rien à redire dans tous les cas, un bijou pour le prix.
Lin Thompson –
Great on Sony A7iii with Canon glass
patricia j. sakaye –
I’m using this to adapt my Canon L lenses to my Sony A7iii and it works incredibly well. I’ve used this setup at 4 weddings so far and the hit rate of in focus shot is through the roof. Don’t be put off by people on the internet telling you that adapted glass is a bad idea. Personally I have found it to work perfectly, even with continuous eye-AF. The only downside is the lack of weather sealing.
Chico Bandito –
J’ai acheté cet objectif pour le coupler avec mon Canon 80D (APS-C) et j’en suis plus que ravi.Je l’utilise principalement pour du sport en intérieur et même dans des conditions lumineuses difficiles il s’en sort très bien grâce à sa grande ouverture constante.Pour du portrait c’est également parfait, le bokeh (flou d’arrière plan) que l’on peut obtenir est vraiment très doux et agréable. On se rapproche même de ce que l’on peut parfois obtenir avec du full-frame.Le manque de stabilisation ne me gène en aucun cas, si on garde une vitesse d’obturation assez élevée c’est totalement inutile.Je ne lui mets “que” 4 étoiles simplement parce que j’ai du faire de sérieux micro-ajustements pour l’autofocus (-11 à 50mm et -8 à 100mm). Pour un prix pareil un tel décalage ne devrait pas arriver. D’ailleurs encore heureux que mon 80D permette ces micro-ajustements, sur certains modèles plus anciens ou plus bas de gamme ce n’est pas possible…Quoi qu’il en soit je le recommande malgré tout sans soucis !
Ronnie Richardson –
shutter and aperture work with vintage sigma/canon lenses